Evening Lights"(for Morton Feldman), 2013, a painting by Marc Salz, oil/gessoed ragboard,17.5"-21".

"Morning Lights", 2012, oil/gessoed ragboard,  20"-17". Like two bookends to a day, morning and evening lights.

“An Angel's Dust", 2012, watercolor/gouache, 17"-14".

"Ebb and Flow", 2013, oil/ragboard, 17.5”-22”. 

"Star Garden", 2013, oil/gessoed ragboard, 22"-17.5".

“Orange Bather”(for Degas), 2011, oil/paper, 13”-15”. For Edgar Degas(1834-1917) who zoomed in on the form and shape of a figure before “zooming” was popular.

“Mound”(for Philip Guston), 1999(revised2023), oil/primed paper, 14”-17”.

“The Crowd”(“La Foule”), 2005, oil/paper, 11”-14”. For Edith Piaf. 

“Company”, 2005, oil/paper, 11”-14”. From the “Still(Lives)” series. 

“Trophy”,2005, oil/paper, 11”-14”. A trophy for my wife Elena. 

“Hovering”, 2005, oil/primed paper, 11”-14”. 

“Targets”, 2005, oil/primed paper, 11”-14”. 

“Nabis”, 1994, oil/wood. For Vuillard and Bonnard, “The Prophets”of painting,

“Palace”(for Haydn), 1994, oil/wood, 17”-17”. For composer Franz Joseph Haydn(1732-1809). 

“Courtyard”(for Pieter de Hooch), 1992, oil/wood, 15”-17.5”. 

"Skin and Bones", 2012, oil/gessoed ragboard, 22"-17.5". There is a fragility in what we all are made of. Another from the “Songs Of The Earth” series. 

“Castaway”, 2012, oil/gessoed rag board, 22”-17.5”.